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  <titleInfo>
    <title>Donald Judd, Brilliance and Marks in the Landscape</title>
  </titleInfo>
  <name type="personal">
    <namePart>Zuaznabar, Guillermo</namePart>
    <namePart type="date">1971-</namePart>
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  <typeOfResource>software, multimedia</typeOfResource>
  <originInfo>
    <publisher>UrbanNext</publisher>
    <dateIssued>November 12, 2015</dateIssued>
    <issuance>monographic</issuance>
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  <abstract>Taking “Specific,” the seminal text written by Judd in the mid-sixties, as the central theme, the author analyzes the artist’s main concepts and his whole career from a new perspective: “… what one seeks is an object that speaks of the world in which it is moving or of the world from which it is moving away. One searches for a boundary work, a frontier, that says, simultaneously, where it is coming from and where it is going, a work in which interests overlap. A work that will function as a mark or a crossroads, locating this work is the first exercise…”. In this brilliant essay, Gillermo Zuaznabar sets out to describe Donald Judd as if he were an unknown figure, a great pioneer.</abstract>
  <note>Donald Judd. Open Enclosed, Essay, Gillermo Zuaznabar, High Density, Low Density, Middle Density, Territory and mobility</note>
  <note>Abstract expressionism, Architecture&amp;art, Art, Artefact, Artillery Shed, Beauty, Discipline, Donald Judd revisited, Essay, Marfa, Painting, The Chinati Foundation, Walter de María</note>
  <note>https://actar.com/product/open-enclosed-donald-judd/</note>
  <subject>
    <topic>Art</topic>
  </subject>
  <subject>
    <topic>Artist</topic>
  </subject>
  <identifier type="issn">2575-5374</identifier>
  <identifier type="uri">https://urbannext.ovh/donald-judd-brilliance-and-marks-in-the-landscape/</identifier>
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