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  <titleInfo>
    <title>The Total Designer: Digitalization in Architectural Culture</title>
  </titleInfo>
  <name type="personal">
    <namePart>Ortega, Lluís</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
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    <role>
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  <typeOfResource>software, multimedia</typeOfResource>
  <originInfo>
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    <publisher>urbanNext</publisher>
    <dateIssued>December 12, 2019</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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    <extent>1981 words.</extent>
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  <abstract>Serendipity
In 1968, the exhibition Cyberorgic Serendipity opened, curated by Jasia Reichardt and held at the Institute of Contemporary Arts (ICA) in London.[1] That exhibition marked the first experiments using computers in all different creative processes, from musical composition to literary exercises, from graphic production to interactive installations.</abstract>
  <note>Actar, Essay, expanding design practices, Lluís Ortega, No Density, Technology and fabrication, The Total Designer	</note>
  <note>Architect’s role, Architectural theory, Architecture&amp;design, Contemporary design, Contemporary technology, Creativity, Cultural agitator, Design, Designer’s role, Digital design, Digital era, Digital technologies, Essay, Expanded Architecture, Technology, Theory	</note>
  <note>Excerpt from The Total Designer. Authorship in Architecture in the Postdigital Age, 2017. Published by Actar Publishers -- https://actar.com/product/the-total-designer/</note>
  <subject>
    <topic>Architecture</topic>
  </subject>
  <subject>
    <topic>Digitalisation</topic>
  </subject>
  <subject>
    <topic>Cultural-design</topic>
  </subject>
  <identifier type="issn">2575-5374</identifier>
  <identifier type="uri">https://urbannext.net/the-total-designer/</identifier>
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