<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <nonSort>P</nonSort>
    <title>erspectives on a Life in Drawing</title>
  </titleInfo>
  <name type="personal">
    <namePart>Abrams, Jaorg</namePart>
    <role>
      <roleTerm type="text">author.</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Webb, Michael</namePart>
    <role>
      <roleTerm type="text">author.</roleTerm>
    </role>
  </name>
  <typeOfResource>software, multimedia</typeOfResource>
  <originInfo>
    <publisher>urbanNext</publisher>
    <dateIssued>January 18, 2021</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">electronic</form>
    <extent>3538 words.</extent>
  </physicalDescription>
  <abstract>Perspectives on a Life in Drawing
Janet Abrams: Michael, You’ve been drawing for decades now.

Michael Webb: Seven and a half decades, if you count those done when I was six or seven years old.

JA: Do you ‘do’ or ‘make’ a drawing?

MW: That’s a very important question. To ‘make’ a drawing implies a certain inventing, whereas a Working Drawing, where everything has already been designed (or so you delude yourself), would be a drawing you ‘did’. But a drawing you ‘make’ has the implication of creativity. In French, there is presumably no difference: the verb faire translates as ‘to do or to make’.</abstract>
  <note>Essay, expanding design practices, Janet Abrams, Michael Webb, No Density, Technology and fabrication, WWW Drawing	</note>
  <note>Architect’s role, Architectural theory, Architecture, Architecture&amp;design, Building, Colors, Design guidelines, Design strategies, Drawing tool, Education, Essay, Geometry, History of Architecture, Iconic architecture, Investigation, Materials, New techniques, New technologies	</note>
  <note>This essay is an excerpt of WWW Drawing by Janet Abrams and Mehrdad Hadighi, published by Actar Publishers and Pennsylvania State University’s Department of Architecture, Stuckeman School of Architecture and Landscape Architecture.
-- https://actar.com/product/www-drawing/</note>
  <subject>
    <topic>Drawing</topic>
  </subject>
  <subject>
    <topic>Urban life</topic>
  </subject>
  <subject>
    <topic>Essay</topic>
  </subject>
  <subject>
    <topic>Life perspectives</topic>
  </subject>
  <identifier type="issn">2575-5374</identifier>
  <identifier type="uri">https://urbannext.net/perspectives-on-a-life-in-drawing/</identifier>
  <location>
    <url>https://urbannext.net/perspectives-on-a-life-in-drawing/</url>
  </location>
  <recordInfo>
    <recordContentSource authority="marcorg">ES-BaAUN</recordContentSource>
    <recordCreationDate encoding="marc">221102</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230515145101.0</recordChangeDate>
    <languageOfCataloging>
      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
    </languageOfCataloging>
  </recordInfo>
</mods>
