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    <subfield code="a">Le&#xE3;o, Rui </subfield>
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    <subfield code="a">Design Activism in the Context of Macau</subfield>
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    <subfield code="a">Essay, expanding design practices, Middle Density, Rui Le&#xE3;o, Technology and fabrication	</subfield>
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    <subfield code="a">Adaptive reuse, Architecture, Architecture&amp;art, Architecture&amp;climate, China, Community, Concrete, Courtyard, Essay, Geometry, Greenery, Heritage, Iconic architecture, Landmark, Macau, Materials, Modernism, Preservation, Public buildings, Structural grid, UNESCO World Heritage, Ventilation	</subfield>
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    <subfield code="a">Robert Venturi, Complejidad y Contradicci&#xF3;n en la arquitectura, Gustavo Gili, 1974

Glauco de Oliveira Campello, O brilho da simplicidade. dois estudos sobre arquitetura religiosa no Brasil colonial, Casa da Palavra (2001)

Charles Correa. A Place in the Shade, The New Landscape &amp; Other Essays, Penguin Books India (2010)

Guilherme Mazza Dourado, Modernidade verde. jardins de Burle Marx, Senac (2009)
Bhabha, K. Homi, The Location of Culture, Routledge, (1994)

Fuad-Luke, Alastair, Design Activism, Earthscan/Routledge, (2009)

Said, Edward, Orientalism: Western Conceptions of the Orient, Penguin Classics, (1996)

Paul Virilio, Lost Dimension, Semiotext (2012)

Manuel Vicente, Arquitectura falada. o exerc&#xED;cio da palavra

Jong Jia, Streets and Squares, Artpower International Publish Company, Limited (2013)

Eric K. C. Lye, Manuel Vicente, Manuel Vicente. Caressing Trivia, MCCM Creations (2006)

Rafi Segal, Els Verbakel. Cities of Dispersal. Wiley, 2008

Ana Tost&#xF5;es, Jorge Figueira, Rui Le&#xE3;o. A reading room for the Portuguese School of Macau. 2013

Direc&#xE7;ao-Geral das Artes, Minist&#xE9;rio da Cultura, Europa, arquitectura portuguesa em emiss&#xE3;o. Representa&#xE7;&#xE3;o oficial portuguesa na 7.a Bienal Internacional de Arquitectura de S&#xE3;o Paulo, (2007)
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    <subfield code="a">This article focuses on the EPM or Portuguese School of Macau and on the building&#x2019;s struggle to &#x201C;survive&#x201D; as a post-classic monument in a city that navigates a fragile balance when it comes to heritage conservation.

The Portuguese School of Macau, previously known as Escola Pedro Nolasco, or Escola Comercial, designed by the Portuguese architect Ra&#xFA;l Chor&#xE3;o Ramalho, is a significant building included as part of the continued infrastructure interventions in the colonial territories by the GCU [1]&#x2013; Gabiorge Colonial de Urbaniza&#xE7;&#xE3;o. It reflects the conflict of discourse of the 20th century, trying to re-invent a place for architecture through the management of light, open space (the open plan), orientation, natural ventilation, proportion, submission to a total system of order and universalism. The plastic expression of the materials (concrete, glass and steel), and the urban situation of the complex are solid manifestations of both the paradigm of Modernism and its re-discovery of the East as a purifying journey.</subfield>
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