03492nmm a22002777a 4500003000900000005001700009008004100026022001400067040002800081100002600109245004400135260003500179300001600214500009500230501029500325504127700620520104801897653001702945653002602962653003402988653001003022856006503032942001503097999001503112952008703127ES-BaAUN20230518161212.0221102b ||| |o||j| 00| 0 eng d a2575-5374 aES-BaAUNbengcES-BaAUN1 aLeão, Rui eauthor.11aDesign Activism in the Context of Macau3 burbanNext,cFebruary 12, 2021. a2186 words. aEssay, expanding design practices, Middle Density, Rui Leão, Technology and fabrication  aAdaptive reuse, Architecture, Architecture&art, Architecture&climate, China, Community, Concrete, Courtyard, Essay, Geometry, Greenery, Heritage, Iconic architecture, Landmark, Macau, Materials, Modernism, Preservation, Public buildings, Structural grid, UNESCO World Heritage, Ventilation  aRobert Venturi, Complejidad y Contradicción en la arquitectura, Gustavo Gili, 1974 Glauco de Oliveira Campello, O brilho da simplicidade. dois estudos sobre arquitetura religiosa no Brasil colonial, Casa da Palavra (2001) Charles Correa. A Place in the Shade, The New Landscape & Other Essays, Penguin Books India (2010) Guilherme Mazza Dourado, Modernidade verde. jardins de Burle Marx, Senac (2009) Bhabha, K. Homi, The Location of Culture, Routledge, (1994) Fuad-Luke, Alastair, Design Activism, Earthscan/Routledge, (2009) Said, Edward, Orientalism: Western Conceptions of the Orient, Penguin Classics, (1996) Paul Virilio, Lost Dimension, Semiotext (2012) Manuel Vicente, Arquitectura falada. o exercício da palavra Jong Jia, Streets and Squares, Artpower International Publish Company, Limited (2013) Eric K. C. Lye, Manuel Vicente, Manuel Vicente. Caressing Trivia, MCCM Creations (2006) Rafi Segal, Els Verbakel. Cities of Dispersal. Wiley, 2008 Ana Tostões, Jorge Figueira, Rui Leão. A reading room for the Portuguese School of Macau. 2013 Direcçao-Geral das Artes, Ministério da Cultura, Europa, arquitectura portuguesa em emissão. Representação oficial portuguesa na 7.a Bienal Internacional de Arquitectura de São Paulo, (2007)  aThis article focuses on the EPM or Portuguese School of Macau and on the building’s struggle to “survive” as a post-classic monument in a city that navigates a fragile balance when it comes to heritage conservation. The Portuguese School of Macau, previously known as Escola Pedro Nolasco, or Escola Comercial, designed by the Portuguese architect Raúl Chorão Ramalho, is a significant building included as part of the continued infrastructure interventions in the colonial territories by the GCU [1]– Gabiorge Colonial de Urbanização. It reflects the conflict of discourse of the 20th century, trying to re-invent a place for architecture through the management of light, open space (the open plan), orientation, natural ventilation, proportion, submission to a total system of order and universalism. The plastic expression of the materials (concrete, glass and steel), and the urban situation of the complex are solid manifestations of both the paradigm of Modernism and its re-discovery of the East as a purifying journey. aArchitecture aHeritage conservation a Anfrastructure interventions aEssay40uhttps://urbannext.net/design-activism-macau/zAccess to info 2ddccCFn0 c2703d2703 00102ddc4070a9876543210b9876543210d2023-05-18l0r2023-05-18w2023-05-18yCF