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    <title>opographic Architecture: Kenneth Frampton’s Interest in the Ground</title>
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  <name type="personal">
    <namePart>Patteeuw, Véronique</namePart>
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    <publisher>urbanNext</publisher>
    <dateIssued>April 19, 2021</dateIssued>
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  <abstract>As such, Frampton aimed to rescue architecture from the many manipulations of history by providing it with a solid rootedness. But how did Frampton apprehend this rootedness? Was it essential to the architecture he promoted, a mere provocation against the so-called “presence of the past,” or a mechanism in his attempt to reposition architecture ideologically?

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  <note>Being the Mountain, Designing Matter, Essay, Low Density, Territory and mobility, Véronique Patteeuw</note>
  <note>Aesthetics, Agriculture, Architecture, Architecture&amp;nature, Concept, Context, Cultural legacy, Dealing with Nature, Earth, Environment, Essay, History of Architecture, Hybridization, Landscape, Local Awareness, Materials, Modernism, Natural materials, Swimming Pool, Technical systems, Tectonic grounds, Tectonics, Topography, Transformation, Vernacular</note>
  <note>This essay is an excerpt of Being The Mountain by PRODUCTORA, published by Actar Publishers and the Illinois Institute of Technology College of Architecture Press.</note>
  <note>This text was written in parallel to the preparation of “Critical Regionalism Revisited,” OASE 103, ed. Tom Avermaete, Véronique Patteeuw, Léa-Catherine Szacka, and Hans Teerds (2019).
</note>
  <subject>
    <topic>Agriculture</topic>
  </subject>
  <subject>
    <topic>History of Architecture</topic>
  </subject>
  <subject>
    <topic>Vernacular</topic>
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  <identifier type="issn">2575-5374</identifier>
  <identifier type="uri">https://urbannext.net/topographic-architecture/</identifier>
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