03485nmm a22003617a 4500 ES-BaAUN 20230915073947.0 221102| ||||go||d|||||| |||| 00| 0 eng d 2575-5374 ES-BaAUN eng ES-BaAUN Cornell Journal of architecture author. Negotiating, Subverting, Reconfiguring Borders in the English-speaking World UrbanNext, October 8, 2021. 2951 words. ArchiveContributorsCornell Journal of Architecture 11DensitiesEssayexpanding design practicesFormatsNo DensityPhilip UrsprungPolitics and economicsTopics Architecture&art, Berlin, Borders, Capitalism, Citizens, Essay, Media, Mexico, Political & Economic Approach, Political instability, Society, Terrorist attacks, USA, Violence This essay is an excerpt from Cornell Journal of Architecture 11: Fear edited by Val Warke from Cornell AAP. This essay goes back to a lecture presented at the conference “Negotiating, subverting, reconfiguring borders in the English-speaking world” at University of Strasbourg, France, October 5, 2018. It is based on the book Philip Ursprung, Allan Kaprow, Robert Smithson, and the Limits to Art, translated from German by Fiona Elliott, Berkeley, Univesity of California Press, 2013. Michael Hardt, Antonio Negri, Empire, Cambridge, Mass., Harvard University Press, 2000. Allan Kaprow, Sweet Wall, Testimonials, Berlin: Edition René Block, 1976, n.p. llan Kaprow, “The shape of the art environments, How anti-form is ‘anti-form’?,” in Artforum, vol. 6, no. 10, Summer 1968, pp. 32–33, reprinted in Allan Kaprow, Essays on the Blurring of Art and Life, Jeff Kelley (ed.), Berkeley: University of California Press, 1993, pp. 90–94, quote pp. 93-94. Allan Kaprow, Echo-Logy, New York, D’Arc Press, 1975, n.p. Robert Smithson, “Fragments of a Conversation. Edited by William C. Lipke (1969),” in Robert Smithson, Collected Writings (Jack (ed.)., Berkeley, University of California Press, 1996, pp. 188–191, here pp. 190-191.) Robert Smithson, “Kulturbeschränkung,” in exh. cat. Documenta 5, 1972, unpaginated, reprinted as “Cultural Confinement” in the section “Documenta: A Portfolio,” in Artforum, vol. 11, no. 2, October 1972, p. 39, reprinted in Smithson 1996, pp. 154-156. Wolfgang Tillmans’ Empire US / Mexican Border (2005) depicts a border fence reminiscent of a bolt of lightning running like a fissure across the composition. [1] The cast shadow of its grill parallels and complements this jarring, vertical movement. A sign reading “Declaration Line” confirms the politically tense location, yet the spaces intertwine in a labyrinthian manner as though inviting misinterpretation. People are captured from behind, faces angled away from the shot as though to eliminate the possibility of empathy. The clothing of the male figure in the center indicates cool weather, but alludes to prison garb. The chaos composed around the fence obscures the immediate situation. Architecture & art Borders No density Capitalism Politics and economics https://urbannext.net/negotiating-subverting-reconfiguring-borders-in-the-english-speaking-world/ Access to info ddc CF 0 2810 2810 0 0 ddc 0 0 9876543210 9876543210 2023-09-15 0 2023-09-15 2023-09-15 CF