04410nmm a22004337a 4500003000900000005001700009008004100026022001400067040002800081110004500109245002800154260003400182300001600216500015700232501025000389504011300639504017300752504013400925504015501059504013201214504012501346504021901471504016301690504013401853504006601987504014202053504006502195504007702260504013102337504007702468504012402545504011702669520103702786653001803823653002603841653001503867653002703882856006703909ES-BaAUN20230915082510.0221102| ||||go||d|||||| |||| 00| 0 eng d  a2575-5374  aES-BaAUNbengcES-BaAUN2 aCornell Journal of Architectureeauthor.10aThe Neutralizing Vessel3 bUrbanNext,cOctober 22, 2021.  a2678 words.  aArchiveContributorsCornell Journal of Architecture 11Danny SalamounDensitiesEssayexpanding design practicesFormatsNo DensityPolitics and economicsTopics  aAccessibility, Architecture, Architecture as Media, Beirut, Building, Conflict, Demography, Essay, Geopolitics, History, Inequality, Lebanon, Political implications, Post-war society, Symbolic context, Transformation, Urban conspiracy, Violence
  aThis essay is an excerpt from Cornell Journal of Architecture 11: Fear edited by Val Warke from Cornell AAP.  a“Architecture and the Problem of The Rhetorical Figure.” Inside Out: Selected Writings, 1963–1988, by Peter Eisenman, Yale University Press, 2004, pp. 200–207.
  aGray, M. (2010) Conspiracy theories in the Arab world. New York: Routledge. Thomas L. Friedman (1998). From Beirut to Jerusalem.
  aLatour, B. (2004) ‘Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern’, Critical Inquiry, vol. 30, iss. 2, pp. 225-248.  aConspiracy Theory: Truth Claim or Language Game? / Bjerg, Ole; Presskorn-Thygesen, Thomas. In: Theory, Culture & Society, 2017.  aArchitecture and the Problem of The Rhetorical Figure.” Eisenman, Eisenman Inside out: Selected Writings, pp. 200-207.  aThe Atlas Group, (Walid Raad) ‘Let’s Be Honest, the Rain Helped: Excerpt from an interview with the Atlas Group’ in Jalal Toufic, Review of Photographic Memory (Beirut Arab Image Foundation, 2004), pp. 44-45.  aThe Game of War: Debord as Strategist by McKenzie Wark for iss. 29 Sloth Spring, 2008.
[9] Debord, Guy. Comments on the Society of the Spectacle. Verso, 1998.  aKassis, Samer. 30 Ans De Vehicules Militaires Au Liban: 30 Years of Military Vehicles in Lebanon: 1975–2005. Elite Group, 2006.  aBruno Latour, On Technical Mediation; Common Knowledge, 1994.  a“Tools of Modern Terror: How the AK-47 and AR-15 Evolved Into Rifles of Choice for Mass Shootings.” NY Times [NY] C.J. Chivers, 2016.  aBruno Latour,On Technical Mediation; Common Knowledge, 1994.  aPutz, “World Press Photo Mix-Up.” Spiegel Online, February 28, 2007.  aGunthert, Andre. “Visual Journalism, or the Hidden Narration.” EHESS-Ecole Des Hautes Études En Sciences Sociales, 2016.  aPutz, “World Press Photo Mix-Up.” Spiegel Online, February 28, 2007.  aArchitectureand the Problem of The Rhetorical Figure.” Eisenman, Eisenman Inside out: Selected Writings, pp. 200-207.  aRagland-Sullivan, Ellie. Jacques Lacan and the Philosophy of Psychoanalysis. University of Illinois Press, 1987.  aThe war-torn structures of Beirut, Lebanon remain caught between a repressed narrative and a symbolic presence within the city. In the years following the Lebanese Civil War of 1975–1990, Beirut found itself saturated in multiple conflicting narratives resulting in a convoluted reading of its recent past. During this period, the conspiracy theory emerged as a repressed social text while the rifle represented a populous war object. Both dangerous and imbued with contradictory meanings, the conspiracy theory and the rifle shifted between the symbolic and the real. While a conspiracy theory represents both a theory and a fictional story, a rifle symbolizes a neutral order and a deadly disorder. Associations such as fear and control further alter the definition of a rifle and a conspiracy theory. The rifle, in its holistic form, evokes fear, but its meaning dissipates once disassembled. Conversely, a conspiracy theory gains control of reality by extracting semiotic codes for fictitious texts and alternative meanings.

00aAccessibility00aArchitecture as Media00aNo density00aPolitics and economics40uhttps://urbannext.net/the-neutralizing-vessel/zAccess to info