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  <titleInfo>
    <title>The Other Ones</title>
  </titleInfo>
  <name type="personal">
    <namePart>Gadanho, Pedro, 1968-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
    <role>
      <roleTerm type="text">architect. </roleTerm>
    </role>
  </name>
  <typeOfResource>software, multimedia</typeOfResource>
  <originInfo>
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    <publisher>urbanNext</publisher>
    <dateIssued>December 13, 2022</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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    <extent>2392 words. </extent>
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  <abstract>The particular story I want to narrate here begins a couple of years before OODA’s young founders started emerging from an architecture school in Porto.</abstract>
  <note>Contributors, Densities, Energy and sustainability, Essay, Formats, No Density, Pedro Gadanho, Topics. </note>
  <note>Adaptive reuse, Architect’s role, Architecture, Biennale, Climate change, Cultural legacy, Design strategies, Education, Essay, Landscape, Porto, Portugal, Practice, Project generation, Sustainability, Tradition. </note>
  <note>This essay is an excerpt from X!? 2010-2020 TEN YEARS OODA by João Rapagão, published by Actar Publishers.</note>
  <subject>
    <topic>No density</topic>
  </subject>
  <subject>
    <topic>Energy and sustainability</topic>
  </subject>
  <subject>
    <topic>Adaptive reuse </topic>
  </subject>
  <subject>
    <topic>Cultural legacy </topic>
  </subject>
  <subject>
    <topic>Project generation </topic>
  </subject>
  <identifier type="issn">2575-5374</identifier>
  <identifier type="uri">https://urbannext.net/the-other-ones/</identifier>
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    <url>https://urbannext.net/the-other-ones/</url>
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