| 000 | 01791nmm a22002417a 4500 | ||
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| 003 | ES-BaAUN | ||
| 005 | 20221108103356.0 | ||
| 008 | 221102b ||| |o||j| 00| 0 eng d | ||
| 022 | _a2575-5374 | ||
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_aES-BaAUN _beng _cES-BaAUN |
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| 100 | 1 |
_aZuaznabar, Guillermo, _eauthor. _d1971- |
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| 245 | 1 | 0 | _aDonald Judd, Brilliance and Marks in the Landscape |
| 260 | 3 |
_bUrbanNext, _cNovember 12, 2015. |
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| 500 | _aDonald Judd. Open Enclosed, Essay, Gillermo Zuaznabar, High Density, Low Density, Middle Density, Territory and mobility | ||
| 501 | _aAbstract expressionism, Architecture&art, Art, Artefact, Artillery Shed, Beauty, Discipline, Donald Judd revisited, Essay, Marfa, Painting, The Chinati Foundation, Walter de María | ||
| 504 | _ahttps://actar.com/product/open-enclosed-donald-judd/ | ||
| 520 |
_aTaking “Specific,” the seminal text written by Judd in the mid-sixties, as the central theme, the author analyzes the artist’s main concepts and his whole career from a new perspective: “… what one seeks is an object that speaks of the world in which it is moving or of the world from which it is moving away. One searches for a boundary work, a frontier, that says, simultaneously, where it is coming from and where it is going, a work in which interests overlap. A work that will function as a mark or a crossroads, locating this work is the first exercise…”. _bIn this brilliant essay, Gillermo Zuaznabar sets out to describe Donald Judd as if he were an unknown figure, a great pioneer. |
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| 653 | 0 | 0 | _aArt |
| 653 | 0 | 0 | _aArtist |
| 856 | 4 | 0 |
_uhttps://urbannext.ovh/donald-judd-brilliance-and-marks-in-the-landscape/ _zAccess to info |
| 856 | 4 | 0 |
_uhttps://urbannext.net/donald-judd-brilliance-and-marks-in-the-landscape/ _zAccess to info |
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_2ddc _cCF _n0 |
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_c108 _d108 |
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