000			01819nmm a22002657a 4500
003			ES-BaAUN
005			20230102105953.0
008			221102| ||||go||d|||||| |||| 00| 0 eng d
022			_a2575-5374
040			_aES-BaAUN _beng _cES-BaAUN
100	1		_aDevesa, Ricardo _eauthor. _d1971-
245	1	0	_aThe Widest Vibration
260	3		_bUrbanNext, _cJanuary 7, 2021.
300			_a986 words.
500			_aEssay, Good Vibrations, Middle Density, Ricardo Devesa, Territory and mobility, Urban Paradigms
501			_aArchitecture&design, Building, City views, Collective housing, Collective identity, Context, Design strategies, Essay, France, Greenery, Landmark, Multiscale approach, Neighborhood, Paris, Photography, Relational space, Symbolic context, Transformation, Urban Dialogue, User’s experience, Volume
504			_aExcerpt from "Good Vibrations" published by Actar Publishers -- https://lccn.loc.gov/2017960641
520			_aWhat should I observe about an architectural design? This question, which critics ask ourselves as we prepare to write about a building, also applies to photographers as they prepare to document a project. What should I photograph? Its façades, details, unique spaces – in other words, its architectural conditions, like 99% of building photographs? Very few photo essays and critical texts, however, set out to reveal a building’s relationships to its surroundings, which tend to be less obvious. Ultimately, in this case, as critic and photographer, we both set out to describe an object and the relationships it establishes with its environs.
653	0	0	_aPhotography
653	0	0	_aArchitecture
653	0	0	_aEnvironment
700	1		_aBernadó, Jordi _ephotographer.
856	4	0	_uhttps://urbannext.net/the-widest-vibration/ _zAccess to info
942			_2ddc _cCF _n0
999			_c1223 _d1223