| 000 | 01807nmm a22002417a 4500 | ||
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| 003 | ES-BaAUN | ||
| 005 | 20230104144035.0 | ||
| 008 | 221102| ||||go||d|||||| |||| 00| 0 eng d | ||
| 022 | _a2575-5374 | ||
| 040 |
_aES-BaAUN _beng _cES-BaAUN |
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| 100 | 1 |
_aObrist, Hans-Ulrich _d1968- _eauthor. |
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| 245 | 1 | 0 | _aArchitecture, Art and Metabolism |
| 260 | 3 |
_burbanNext, _cJuly 6, 2017. |
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| 300 | _a2188 words. | ||
| 500 | _aDiscipline, Energy and sustainability, Essay, expanding design practices, Hans-Ulrich Obrist, Urban Paradigms | ||
| 501 | _aArchitect’s role, Architectural theory, Architecture&art, Art, Art&technology, Cultural agitator, Cultural enrichment, Curatorial, Discipline, Ecology, Energy, Essay, Exhibition, Flexibility, Functionality, Future projections, Global Awareness, History of Architecture, Interdisciplinary work, Japan, Metabolism, Modernism, Planetary urbanizations, Post-modernism, Preservation, Sustainability, Theory, Urban Paradigms | ||
| 520 | _aMy interest in architecture, from the perspective of my role as a curator of art, stems from the fact that architecture is the pre-eminent site for the production of reality, as it is uniquely oriented the toward the future, but precisely as a continual negotiation, or as a continually articulated struggle between the present, the past and the future. This is what I look for, also, in the art that interests me the most; namely, the recognition, following Duchamp, that art is ultimately a game in which the only constant is change itself. Implicit in Duchamp is a vision of history under perennial negotiation; historical truth as forever in situ. | ||
| 653 | 0 | 0 | _aArchitecture |
| 653 | 0 | 0 | _aArt |
| 653 | 0 | 0 | _aHistory |
| 856 | 4 | 0 |
_uhttps://urbannext.net/architecture-art-metabolism/ _zAccess to info |
| 942 |
_2ddc _cCF _n0 |
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| 999 |
_c1340 _d1340 |
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