| 000 | 01817nmm a22002537a 4500 | ||
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| 003 | ES-BaAUN | ||
| 005 | 20230201111856.0 | ||
| 008 | 221102| ||||go||d|||||| |||| 00| 0 eng d | ||
| 022 | _a2575-5374 | ||
| 040 |
_aES-BaAUN _beng _cES-BaAUN |
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| 110 | 2 |
_aFundación Palo Alto _eauthor. |
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| 245 | 1 | 1 | _aPalo Alto Barcelona: an Oasis of Creativity |
| 260 | 3 |
_burbanNext, _cJune 23, 2018. |
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| 300 | _a361 words. | ||
| 500 | _aexpanding design practices, FULL, Fundación Palo Alto, Middle Density, Project, Territory and mobility | ||
| 501 | _aArchitect’s role, Art, Barcelona, Creativity, Cultural agitator, Culture, Future Urban Legacy Lab, Industrial context, Multifunctional space, Project, Refurbishment, Spain, Territorial Approach, Urban Legacy | ||
| 520 | _aThe first historical documentation of this factory dates back to June 1875, when the textile manufacturing company owned by Ramon Gal and Juan Puigsech opened very close to the building, near Pellaires Street. A year later, Agusti Coll i Torné acquired the facility, and then the business passed from owner to another until 1927, when August Ramoneda bought the factory. His company closed down in 1940 as a consequence, among other reasons, of the constant bombardments that affected the area during the Spanish Civil War. From 1940 to 1950, the building was occupied by several workshops. Facing demolition during the urbanistic reform planned before the ’92 Olympic games, the building remained standing thanks to the installation of studios for artists and professionals, who are still writing the history of this city block today. | ||
| 653 | 0 | 0 | _aArchitecture |
| 653 | 0 | 0 | _aRehabilitation |
| 653 | 0 | 5 | _aBarcelona, Spain |
| 653 | 0 | 5 | _aSpain |
| 856 | 4 | 0 |
_uhttps://urbannext.net/palo-alto-barcelona/ _zAccess to info |
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_2ddc _cCF _n0 |
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_c1823 _d1823 |
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