| 000 | 01469nmm a22002657a 4500 | ||
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| 003 | ES-BaAUN | ||
| 005 | 20230209112505.0 | ||
| 008 | 221102| ||||go||d|||||| |||| 00| 0 eng d | ||
| 022 | _a2575-5374 | ||
| 040 |
_aES-BaAUN _beng _cES-BaAUN |
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| 245 | 1 | 0 | _aThe Dark Side of User Interface Design |
| 260 | 3 |
_burbanNext, _cSeptember 21, 2018. |
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| 300 | _a1628 words. | ||
| 500 | _aAriel Guersenzvaig, Essay, expanding design practices, No Density, Rosa Llop, Technology and fabrication | ||
| 501 | _aCultural agitator, Design, Designer’s role, Digital design, Digital era, Essay, Ethics, Global Awareness, Interfaces, New paradigms, Philosophy, Social culture, Technology, User’s experience | ||
| 520 | _aWith the appearance of the first graphic interfaces, the notion of “interface” came to be associated with the idea of a “window”. All operating systems began to facilitate interaction through manipulable frames and, in no time at all, the metaphor of the interface as a “window to the world” was popularised. While the allegories of the desktop, folders and the recycle bin are still valid, the metaphors used for graphic interfaces are being brought into question. | ||
| 653 | 0 | 0 | _aTechnology |
| 653 | 0 | 0 | _aDesign |
| 653 | 0 | 0 | _aDigital Tools |
| 653 | 0 | 0 | _aInterface |
| 700 | 1 |
_aGuersenzvaig, Ariel _d1970- _eauthor. |
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| 700 | 1 |
_aLlop, Rosa _eauthor. |
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| 856 | 4 | 0 |
_uhttps://urbannext.net/the-dark-side/ _zAccess to info |
| 942 |
_2ddc _cCF _n0 |
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| 999 |
_c1925 _d1925 |
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