| 000 | 01542nmm a22002417a 4500 | ||
|---|---|---|---|
| 003 | ES-BaAUN | ||
| 005 | 20230221102044.0 | ||
| 008 | 221102| ||||go||d|||||| |||| 00| 0 eng d | ||
| 022 | _a2575-5374 | ||
| 040 |
_aES-BaAUN _beng _cES-BaAUN |
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| 100 |
_aPrieto, Eduardo _eauthor. |
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| 245 | _aThe Garden and the Machine | ||
| 260 | 3 |
_burbanNext, _cNovember 15, 2018. |
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| 300 | _b2702 words. | ||
| 500 | _aEduardo Prieto, Essay, No Density, Territory and mobility, Urban Paradigms | ||
| 501 | _a Architecture’s role, Architecture&art, Architecture&nature, Beauty, Built landscape, Cities, Design, Essay, Europe, Factory, Glazed façade, Greenhouse, History, Horizontal experience, Industrial context, Landmark, Landscape, Machine, Madrid, Post-industrial Landscape, Theory, Vegetation | ||
| 520 | _aFew concepts have undergone an inflation of meaning as spectacular as that of the picturesque. For the writers of treatises in the Renaissance and the Baroque, the picturesque merely referred to what was worth painting; the definition was so broad – and ultimately useless – that it would have been lost to history had Joseph Addison not freed it from irrelevance at the beginning of the 18th century by turning it into something different: a novel object that produces a pleasant surprise and which, precisely for that reason, is “appealing”. | ||
| 653 | 0 | 0 | _aArchitecture |
| 653 | 0 | 0 | _aConcepts |
| 653 | 0 | 0 | _aDesert-City |
| 856 | 4 | 0 |
_uhttps://urbannext.net/the-garden-and-the-machine-1/ _zAccess to info |
| 942 |
_2ddc _cCF _n0 |
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| 999 |
_c2001 _d2001 |
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