| 000 | 01586nmm a22002537a 4500 | ||
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| 003 | ES-BaAUN | ||
| 005 | 20230320091423.0 | ||
| 008 | 221102| ||||go||d|||||| |||| 00| 0 eng d | ||
| 022 | _a2575-5374 | ||
| 040 |
_aES-BaAUN _beng _cES-BaAUN |
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| 100 | 1 |
_aOrtega, Lluís _eauthor. |
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| 245 | _aThe Total Designer: Digitalization in Architectural Culture | ||
| 260 | 3 |
_burbanNext, _cDecember 12, 2019. |
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| 300 | _a1981 words. | ||
| 500 | _aActar, Essay, expanding design practices, Lluís Ortega, No Density, Technology and fabrication, The Total Designer | ||
| 501 | _aArchitect’s role, Architectural theory, Architecture&design, Contemporary design, Contemporary technology, Creativity, Cultural agitator, Design, Designer’s role, Digital design, Digital era, Digital technologies, Essay, Expanded Architecture, Technology, Theory | ||
| 504 | _aExcerpt from The Total Designer. Authorship in Architecture in the Postdigital Age, 2017. Published by Actar Publishers -- https://actar.com/product/the-total-designer/ | ||
| 520 | _aSerendipity In 1968, the exhibition Cyberorgic Serendipity opened, curated by Jasia Reichardt and held at the Institute of Contemporary Arts (ICA) in London.[1] That exhibition marked the first experiments using computers in all different creative processes, from musical composition to literary exercises, from graphic production to interactive installations. | ||
| 653 | _aArchitecture | ||
| 653 | _aDigitalisation | ||
| 653 | _aCultural-design | ||
| 856 | 4 | 0 |
_uhttps://urbannext.net/the-total-designer/ _zAccess to info |
| 942 |
_2ddc _cCF _n0 |
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| 999 |
_c2453 _d2453 |
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