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040			_aES-BaAUN _beng _cES-BaAUN
100	1		_aLeão, Rui _eauthor.
245	1	1	_aDesign Activism in the Context of Macau
260	3		_burbanNext, _cFebruary 12, 2021.
300			_a2186 words.
500			_aEssay, expanding design practices, Middle Density, Rui Leão, Technology and fabrication
501			_aAdaptive reuse, Architecture, Architecture&art, Architecture&climate, China, Community, Concrete, Courtyard, Essay, Geometry, Greenery, Heritage, Iconic architecture, Landmark, Macau, Materials, Modernism, Preservation, Public buildings, Structural grid, UNESCO World Heritage, Ventilation
504			_aRobert Venturi, Complejidad y Contradicción en la arquitectura, Gustavo Gili, 1974 Glauco de Oliveira Campello, O brilho da simplicidade. dois estudos sobre arquitetura religiosa no Brasil colonial, Casa da Palavra (2001) Charles Correa. A Place in the Shade, The New Landscape & Other Essays, Penguin Books India (2010) Guilherme Mazza Dourado, Modernidade verde. jardins de Burle Marx, Senac (2009) Bhabha, K. Homi, The Location of Culture, Routledge, (1994) Fuad-Luke, Alastair, Design Activism, Earthscan/Routledge, (2009) Said, Edward, Orientalism: Western Conceptions of the Orient, Penguin Classics, (1996) Paul Virilio, Lost Dimension, Semiotext (2012) Manuel Vicente, Arquitectura falada. o exercício da palavra Jong Jia, Streets and Squares, Artpower International Publish Company, Limited (2013) Eric K. C. Lye, Manuel Vicente, Manuel Vicente. Caressing Trivia, MCCM Creations (2006) Rafi Segal, Els Verbakel. Cities of Dispersal. Wiley, 2008 Ana Tostões, Jorge Figueira, Rui Leão. A reading room for the Portuguese School of Macau. 2013 Direcçao-Geral das Artes, Ministério da Cultura, Europa, arquitectura portuguesa em emissão. Representação oficial portuguesa na 7.a Bienal Internacional de Arquitectura de São Paulo, (2007)
520			_aThis article focuses on the EPM or Portuguese School of Macau and on the building’s struggle to “survive” as a post-classic monument in a city that navigates a fragile balance when it comes to heritage conservation. The Portuguese School of Macau, previously known as Escola Pedro Nolasco, or Escola Comercial, designed by the Portuguese architect Raúl Chorão Ramalho, is a significant building included as part of the continued infrastructure interventions in the colonial territories by the GCU [1]– Gabiorge Colonial de Urbanização. It reflects the conflict of discourse of the 20th century, trying to re-invent a place for architecture through the management of light, open space (the open plan), orientation, natural ventilation, proportion, submission to a total system of order and universalism. The plastic expression of the materials (concrete, glass and steel), and the urban situation of the complex are solid manifestations of both the paradigm of Modernism and its re-discovery of the East as a purifying journey.
653			_aArchitecture
653			_aHeritage conservation
653			_a Anfrastructure interventions
653			_aEssay
856	4	0	_uhttps://urbannext.net/design-activism-macau/ _zAccess to info
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