000			02211cam a22003857i 4500
001			19106396
003			Urban Next Europe
005			20240109085155.0
006			a|||||q|||| 00| 0
007			cr an aaaaa
008			160524t20162016ilua b 000 0 eng d
010			_a2016942636
020			_a9781945150111 _q(epub)
035			_a(OCoLC)ocn952207690
040			_aYDXCP _beng _cYDXCP _erda _dBTCTA _dBDX _dVPI _dOCLCF _dDLC
042			_alccopycat
050	0	0	_aNA687 _b.H47 2016
082	0	4	_a721/.04 _223
100	1		_aHerzog, Jacques. _eauthor.
245	1	0	_aTreacherous transparencies : _bthoughts and observations triggered by a visit to the Farnsworth House _cconcept and text, Jacques Herzog ; photographs of the Farnsworth House, Pierre de Meuron.
264		1	_aChicago, Illinois : _bIITAC Press, _c2016
300			_a95 pages : _billustrations ; _c 21 cm
336			_atext _btxt _2rdacontent
504			_aIncludes bibliographical references (page [94]).
520			_aTreacherous Transparencies analyzes transparency as expressed in architecture and art in an attempt to understand the intentions and objectives that underlie its use by pertinent architects and artists. The publication looks at a few important works by selected artists and architects who work with transparency as an artistic strategy, which they implement primarily by using glass and mirrors but other media as well. The architects and artists listed together in this context form an unlikely alliance: Bruno Taut, Ivan Leonidov, Marcel Duchamp, Mies van der Rohe, Dan Graham, and Gerhard Richter. But they do have something in common: their work marks salient way stations in the story of modernism up to the present day. _bProvided by publisher.
533			_aE-book. _bBarcelona, SP. _cActar Publishers. _d2020. _eEPUB file.
610			_aFarnsworth House (Plano, Ill.)
650		0	_aTransparency in architecture.
650		0	_aTransparency in art.
700			_aMeuron, Pierre de _d1950-
856			_uhttps://urbannext.net/treacherous-transparencies/ _3Access to info
906			_a7 _bcbc _ccopycat _d2 _encip _f20 _gy-gencatlg
942			_2ddc _cCF _n0
999			_c3173 _d3173